The Scientist (1955)

by Koren der Harootian (1909 - 1991)

Photo Caption: Photo Alec Rogers © 2014 for the Association for Public Art
North Terrace of Ellen Phillips Samuel Memorial (north of Boathouse Row on Kelly Drive)
1955

  • Title

    The Scientist

  • Artist

    Koren der Harootian (1909 - 1991)

  • Year

    1955; installed 1958

  • Medium

    Granite, on granite base

  • Dimensions

    Height 8’6″, width 2'7", depth 2'7" (base height 3’10”, width 3', depth 3')

Commissioned by the Fairmount Park Art Association (now the Association for Public Art), bequest of Ellen Phillips Samuel

Owned by the City of Philadelphia


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At A Glance

To balance the spiritual and emotional energies of The Preacher and The Poet, the Fairmount Park Art Association’s (now the Association for Public Art) Samuel Memorial committee commissioned a figure to represent the scientific impulse that has spurred America’s intellectual and technological development. The sculptor Koren der Harootian, was a native of Armenia who had escaped the turmoil of the Near East and the Russian Revolution. Two decades after completing The Scientist, der Harootian created Meher, a sculpture of a legendary Armenian folk hero; this work was installed at the west entrance driveway of the Philadelphia Museum of Art.

A view of the North Terrace of the Ellen Phillips Samuel Memorial on Kelly Drive
Photo Caitlin Martin © 2010 for the Association for Public Art

The North Terrace of the Ellen Phillips Samuel Memorial

The development of the North Terrace inaugurated the final stage of the Samual Memorial. Here the intention was to express not historical periods or movements but rather the “inner energies” that shaped the nation. Two major bronze groups were to represent “social consciousness” and “constructive enterprise,” and the commissions were offered to Jacob Epstein and Jacque Lipchitz. As Epstein and Lipchitz progressed, it became apparent that their two massive monuments would not fit comfortably in the same terrace. Thus, Epstein’s Social Consciousness was installed at the west entrance of the Philadelphia Museum of Art. Lipchitz’s The Spirit of Enterprise served as the centerpiece of the North Terrace until, in 1986, it was moved to the Central Terrace.

Adapted from Public Art in Philadelphia by Penny Balkin Bach (Temple University Press, Philadelphia, 1992).

Museum Without Walls logo: a program of the Association for Public Art

 

Voices heard in the program:

Penny Balkin Bach is Executive Director & Chief Curator of the Association for Public Art and the author of many books and articles about Philadelphia’s public art.

Kathleen A. Foster is Robert L. McNeil, Jr., Senior Curator of American Art and Director of the Center for American Art at the Philadelphia Museum of Art.

Michael Taylor is the former Muriel and Philip Berman Curator of Modern Art at the Philadelphia Museum of Art and the author of Jacques Lipchitz and Philadelphia.

Segment Producer: Amanda Aronczyk and Ave Carrillo

A program of the Association for Public Art (formerly the Fairmount Park Art Association), Museum Without Walls™: AUDIO is an innovative and accessible outdoor sculpture audio program for Philadelphia’s preeminent collection of public art.

User calls Museum Without Walls Audio for Robert Indiana's LOVE sculpture
Photo Albert Yee © 2010 for the Association for Public Art

A “multi-platform” interactive audio experience – available for free by cell phone, mobile app, or on our website – Museum Without Walls™: AUDIO offers the unique histories that are not typically expressed on outdoor permanent signage.

Unlike audio tours that have a single authoritative guide or narrator, each speaker featured in Museum Without Walls™: AUDIO is an “authentic voice” – someone who is connected to the sculpture by knowledge, experience, or affiliation.

Over 150 unique voices are featured, including artists, educators, scientists, writers, curators, civic leaders, and historians.

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