At A Glance
Commissioned for the Ellen Phillips Samuel Memorial
This sculpture represents the writer who helps to shape the imagination of the U.S.
The Poet was artist José de Creeft’s first major public commission in the U.S.
de Creeft also created a bronze of Alice in Wonderland for New York’s Central Park
The writer who helps to shape the imagination of the country is represented in José de Creeft’s sculpture of a draped poet clutching his writings to his breast. The Poet was commissioned by the Fairmount Park Art Association (now the Association for Public Art) and installed at the Ellen Phillips Samuel Memorial. Even before emigrating to America from Spain in the late 1920s, de Creeft had established a substantial reputation as a carver of wood and stone. This was his first major public commission in the United States; a few years later, he created a bronze Alice in Wonderland for New York’s Central Park.
The North Terrace of the Ellen Phillips Samuel Memorial
The development of the North Terrace inaugurated the final stage of the Samuel Memorial. Here the intention was to express not historical periods or movements but rather the “inner energies” that shaped the nation. Two major bronze groups were to represent “social consciousness” and “constructive enterprise,” and the commissions were offered to Jacob Epstein and Jacque Lipchitz. As Epstein and Lipchitz progressed, it became apparent that their two massive monuments would not fit comfortably in the same terrace. Thus, Epstein’s Social Consciousness was installed at the west entrance of the Philadelphia Museum of Art. Lipchitz’s The Spirit of Enterprise served as the centerpiece of the North Terrace until, in 1986, it was moved to the Central Terrace.
Sculptures in the North Terrace:
- The Preacher, Waldemar Raemisch
- The Poet, José de Creeft
- The Scientist, Koren der Harootian
- The Laborer, Ahron Ben-Shmuel
- Titles Unknown: Eye and Hand, J. Wallace Kelly
Adapted from Public Art in Philadelphia by Penny Balkin Bach (Temple University Press, Philadelphia, 1992).
Voices heard in the Museum Without Walls: AUDIO program: Penny Balkin Bach is the former Executive Director & Chief Curator of the Association for Public Art and the author of many books and articles about Philadelphia’s public art. Kathleen A. Foster is Robert L. McNeil, Jr., Senior Curator of American Art and Director of the Center for American Art at the Philadelphia Museum of Art. Michael Taylor is the former Muriel and Philip Berman Curator of Modern Art at the Philadelphia Museum of Art and the author of Jacques Lipchitz and Philadelphia. | Segment Producer: Amanda Aronczyk and Ave Carrillo
Museum Without Walls: AUDIO is the Association for Public Art’s award-winning audio program for Philadelphia’s outdoor sculpture. Available for free by phone, mobile app, or online, the program features more than 150 voices from all walks of life – artists, educators, civic leaders, historians, and those with personal connections to the artworks.