At A Glance

• Alexander Stirling Calder’s monument to Shakespeare representing Comedy and Tragedy

• The memorial was relocated in 1953 to its present location because of the expressway construction

The Shakespeare Memorial was completed in the 1920s, but the idea was first proposed in 1892. Artist John Sartain, who was a member of the Fairmount Park Art Association (now the Association for Public Art), approached the organization with an interest in raising funds for a monument to Shakespeare through public and private subscription. For the Association, the 300th anniversary of Shakespeare’s death in 1916 called renewed interest to the fact that Philadelphia – a city that one would expect to have a memorial to Shakespeare – was without one. 

By 1917, funds for the Shakespeare Memorial were in place – and as the Benjamin Franklin Parkway took shape, the commission was given to Alexander Stirling Calder, who also created the nearby sculptures of the Swann Memorial Fountain in Logan Square, the Sundial at the Fairmount Park Horticulture Center, and the Calder Statues at the Presbyterian Historical Society.

The well-known quote from As You Like It is inscribed on the base: “All the world’s a stage and all the men and women merely players.”

The original site for the Shakespeare Memorial in front of the Free Library was carefully selected by representatives from both the Fairmount Park Art Association and the Shakespeare Memorial Committee, with additional input from architects Gilbert McIlvaine, Paul Cret, and Jacques Gréber. The sculpture was cast in 1926 by the Roman Bronze Works and dedicated on Shakespeare’s birthday in 1929. Because of expressway construction, the memorial was moved in 1953 to its present location.

The sculpture depicts two figures, representing Comedy and Tragedy. Hamlet is shown leaning his head against a knife, while Touchstone, the jester, sits at his feet, his head rolled back in laughter. The well-known quote from As You Like It is inscribed on the base: “All the world’s a stage and all the men and women merely players.”

Adapted from Public Art in Philadelphia by Penny Balkin Bach (Temple University Press, Philadelphia, 1992).

Voices heard in the Museum Without Walls: AUDIO program: Phillip H. Wagner is Dean of the Shakspere Society of Philadelphia, established in 1852. Sarah Garonzik is the former Executive Producing Director of The Philadelphia Theatre Company. Damon Bonetti is an actor who performs for the Philadelphia Shakespeare Festival. | Segment Producer: Kara Oehler

Museum Without Walls: AUDIO is the Association for Public Art’s award-winning audio program for Philadelphia’s outdoor sculpture. Available for free by phone, mobile app, or online, the program features more than 150 voices from all walks of life – artists, educators, civic leaders, historians, and those with personal connections to the artworks.

RESOURCES

• How to Request Images
• The Association for Public Art’s Digital Archive
• Model for the Shakespeare Memorial exhibited at the Pennsylvania Academy of the Fine Arts in 1932

This artwork is part of the Along the Benjamin Franklin Parkway tour