Black Forest (1983)

by Robinson Fredenthal (1940 - 2009)

Photo Caption: Photo Alec Rogers © 2014 for the Association for Public Art
  • Title

    Black Forest

  • Artist

    Robinson Fredenthal (1940 - 2009)

  • Year

    1983; installed 1984; relocated 2020

  • Location

    University of Pennsylvania, Blanche Levy Park at Claudia Cohen Hall, between Spruce and Locust Streets, 34th and 36th Streets

  • Medium

    Steel 3/16" plate, painted black

  • Dimensions

    Height 12’6″, width 4', depth 8'

Private Gift of Philip and Dr. Muriel Berman

Owned by the University of Pennsyvlania

At A Glance

  • Fredenthal was fascinated by patterns made by simple geometric objects and is known for his monumental steel sculptures

  • This sculpture’s four interpenetrating pyramidal forms depict an asymmetrical evergreen tree with different sets of triangular shapes that emerge when viewed from each side

  • Fredenthal studied architecture at the University of Pennsylvania, where this sculpture is installed

  • The artist has several other public works in Philadelphia, including Water, Ice, and Fire at 1234 Market Street

Known for his monumental works in steel, Robinson Fredenthal was fascinated by the mysterious patterns made by simple geometric objects when they are joined together, turned at new angles, or revolved through space. Philadelphia Inquirer art critic Edward Sozanski wrote that Fredenthal “spent a career translating the intellectual discipline that geometry imposes on the mind onto sculpture. . . .”

By the early 1970s, with the help of assistants, he was producing large-scale public works based on the cardboard models that filled his studio.

Fredenthal’s Black Forest on the University of Pennyslvania’s campus is a black painted steel sculpture with four interpenetrating pyramidal forms that depict the shape of an asymmetrical evergreen tree. As the viewer moves around the work, different sets of three-dimensional triangular shapes emerge, representing branches. The sculpture stands on two main pyramidal legs on its base, which is a stainless steel parallelogram attached to a concrete foundation.

Black painted steel geometric sculpture, angular forms, on University of Pennsylvania campus in grass
Photo Alec Rogers © 2014 for the Association for Public Art

The New Hampshire-born Fredenthal studied at the University of Pennsylvania’s School of Architecture. When a neurologic disorder (a form of Parkinson’s disease) made it hard for him to draw, he turned to sculpture. By the early 1970s, with the help of assistants, he was producing large-scale public works based on the cardboard models that filled his studio.

Fredenthal has a number of major public sculptures in Philadelphia, including White Water at Woodmere Art Museum (relocated from 5th and Market Streets) and Water, Ice, and Fire at 1234 Market Street.

Adapted in part from Public Art in Philadelphia by Penny Balkin Bach (Temple University Press, Philadelphia, 1992).

This artwork is part of the Around University City tour

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