A large, abstract bronze sculpture by Henry Moore titled "Three Way Piece No. 1: Points," situated on a grassy plaza in Philadelphia with city buildings in the background.

Three Way Piece Number 1: Points

Henry Moore

Artwork Details

Title
Three Way Piece Number 1: Points
Artist
Henry Moore (1898 – 1986)
Year
1964; installed 1967; relocated 1990
Medium
Bronze, on black granite base
Dimensions
Height 7'3″; width 7'5″; depth 6'5″ (base height 4″, width 7', depth 7')

Artwork Description

“Sculpture,” said Henry Moore, “should always at first sight have some obscurities, and further meanings.” His one-ton bronze on the Parkway is an example of such visual ambiguities. It may appear to be a massive, polished, three-pointed stone – and in fact Moore kept a similarly shaped pebble in his studio for years. On the other hand, the bronze also looks like a weighty animal, with its three “points” like paws on which it delicately balances. Some have said that it resembles a hunched bird. From certain angles it even suggests a giant tooth or a gnawed bone. Whatever one’s first impression may be, the work changes as the viewer walks around it.

Philadelphia’s Three Way Piece was purchased by the Association for Public Art (formerly the Fairmount Park Art Association) in 1967 and installed in John F. Kennedy Plaza (now known as LOVE Park) that year. In November 1990 the sculpture was relocated to Cret Park, a nearby landscaped area along the Parkway at 16th Street.

Content on this page was adapted from Public Art in Philadelphia by Penny Balkin Bach (Temple University Press, 1992). Bach was the longtime Executive Director of the Association for Public Art, working with the organization from 1980 to 2022.

Artwork Credits

Purchased by the Association for Public Art (formerly the Fairmount Park Art Association)

Owned by the Association for Public Art

Museum Without Walls

Voices:

MEI-LING HOM is a sculptor and installation artist in Philadelphia. She is known for her explorations of form in space. She works with various tactile materials including bronze, stone, and clay.

MICHAEL R. TAYLOR is the former Muriel and Philip Berman Curator of Modern Art at the Philadelphia Museum of Art. Taylor is the author of Henry Moore: A Centennial Salute and the curator of the companion exhibition.

Producer: Jonathan Mitchell

Museum Without Walls: Three-Way Piece Number 1: Points