The exterior and interior of City Hall contain over 250 works of sculpture, many of which relate to Philadelphia’s government and history, principally attributed to one man, Alexander Milne Calder.
The title translates roughly to “My Lord of the Fancy Vest,” but local people often refer to the work as “The Mummer.”
For summer 2014, artist Candy Coated temporarily transformed The Oval in front of the Philadelphia Museum of Art into a magical environment of color, pattern, illusion, and movement.
“Site Seeing” was a month-long celebration of public art that invited the public to rediscover the city’s outdoor sculptures through four free programs.
“Public Art Pathway” is one of four free events included in the aPA’s “Site Seeing: Rediscover Public Art This Spring!” campaign, a month-long celebration inviting Philadelphians and visitors to rediscover the city’s outdoor sculpture.
The Philadelphia Daily News interviews Julia Guerrero, who oversees Philadelphia’s One Percent for Art program.
Oldenburg became well known locally when his iconic Clothespin was installed across from Philadelphia’s City Hall in 1976, becoming the talk of the town.
Over the years, the Association has advocated for good civic design, the commissioning and placement of permanent and temporary public art along the Parkway, and the presentation of innovative public programming.
Writer Amy Freeman shares with Phillyist readers the details behind our new Museum Without Walls: AUDIO program for Philadelphia’s outdoor sculpture.
It is with deep sadness that we recognize the passing of David N. Pincus — art patron, humanitarian, philanthropist and Fairmount Park Art Association Trustee for 40 years.