The Birth of a Nation (1942)

by Henry Kreis (1899 - 1963)

Photo Caption: Photo Alec Rogers for the Association for Public Art
South Terrace of Ellen Phillips Samuel Memorial (north of Boathouse Row on Kelly Drive)
1942

  • Title

    The Birth of a Nation

  • Artist

    Henry Kreis (1899 - 1963)

  • Year

    1942

  • Medium

    Limestone, on granite base

  • Dimensions

    Height 12’1″, width 12'1", depth 3' (base hight 3′, width 11')

Commissioned by the Fairmount Park Art Association (now the Association for Public Art), bequest of Ellen Phillips Samuel

Owned by the City of Philadelphia


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At A Glance

In the words of the Fairmount Park Art Association’s (now the Association for Public Art) Samuel Memorial committee, the second principal relief in the South Terrace of the Ellen Phillips Samuel Memorial was to be “an expression of the agreement among the American people to make and abide by their own laws, free of outside control.” The commission was awarded to Henry Kreis, who had emigrated from Germany in 1923.

A former assistant to Paul Manship and Carl Paul Jennewein, Kreis created sculptures for public buildings in many American cities. As the committee suggested, Kreis avoided such well-worn visual symbols as the Liberty Bell and the signing of the Declaration of Independence. Instead his monument shows three male figures of varying ages, signifying the agreement of young and old to forge a self-governing republic.

South Terrace of the Ellen Phillips Samuel Memorial
The South Terrace of the Ellen Phillips Samuel Memorial. Photo Caitlin Martin © 2010 for the Association for Public Art

The South Terrace of the Ellen Phillips Samuel Memorial

After the second Sculpture International in 1940, the committee selected four sculptors to express the governing themes of the new South Terrace – the settlement of the eastern coast and the emergence of the United States as an independent, democratic nation. The two principal groups were carved as reliefs, the other four sculptures as free-standing figures.

Sculptures in the South Terrace:

Adapted from Public Art in Philadelphia by Penny Balkin Bach (Temple University Press, Philadelphia, 1992).

 

RESOURCES:

Museum Without Walls logo: a program of the Association for Public Art

 

Voices heard in the program:

Penny Balkin Bach is Executive Director of the Association for Public Art (formerly the Fairmount Park Art Association) and the author of many books and articles about Philadelphia’s public art.

Kathleen A. Foster is Robert L. McNeil, Jr., Senior Curator of American Art and Director of the Center for American Art at the Philadelphia Museum of Art.

Michael W. Zuckerman is Professor of History at the University of Pennsylvania and specializes in American Studies. He served on the Consultant Board for PBS “History Detectives” and is the Museum Without Walls Consulting Historian.

Segment Producer: Amanda Aronczyk and Ave Carrillo

A program of the Association for Public Art (formerly the Fairmount Park Art Association), Museum Without Walls™: AUDIO is an innovative and accessible outdoor sculpture audio program for Philadelphia’s preeminent collection of public art.

User calls Museum Without Walls Audio for Robert Indiana's LOVE sculpture
Photo Albert Yee © 2010 for the Association for Public Art

A “multi-platform” interactive audio experience – available for free by cell phone, mobile app, audio download, or on the web – Museum Without Walls™: AUDIO offers the unique histories that are not typically expressed on outdoor permanent signage.

Unlike audio tours that have a single authoritative guide or narrator, each speaker featured in Museum Without Walls™: AUDIO is an “authentic voice” – someone who is connected to the sculpture by knowledge, experience, or affiliation. Over 150 unique voices are featured, including artists, educators, scientists, writers, curators, civic leaders, and historians.

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